ENGELBERT: A LOVE THAT NEVER ENDS

Engelbert starts a new world tour at The Orleans
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For the last 58 years, legendary international superstar Engelbert Humperdinck, long known as the “King of Romance,” has been crisscrossing the oceans of the world to entertain. And he hasn’t missed the boat yet – more than 150 million records sold, 72 gold albums and 23 platinum albums have reportedly made him the fifth top recording solo artist in the world while his persona and consummate performing style have garnered him sold-out concerts all over the globe to millions of adoring fans spanning four generations. And while it’s readily apparent that his ship came in for the long-haul decades ago, it’s far from ready to be dry-docked. In fact, for the record, Engelbert is looking to find himself in “hot” water once again.

The beloved iconic artist’s multitudes of fans couldn’t be more relieved to hear that news. They were afraid that his ”The Last Waltz Tour,” which he embarked on in 2024 and is named for one of his big hits, was just that – his ode to his retirement. But after not performing for all of January, February, and March of 2025, and with no one to come home to since the passing of his beloved wife, Patricia, in February 2021, Engelbert himself just couldn’t get over The Hump.

“I sat at home for three months and I was climbing the walls,” he reveals. “I called my manager and told him that I needed to get back to work. I wanted to get back to being on the road and doing what I love the most, my life’s blood. So I'm beginning a new World Tour. I'll be at the Orleans August 29-30, then will be touring the UK and Europe in September, followed by a tour of Asia beginning on November 2. I also have some dates in the U.S. and we’re already filling in next year.”

“I would also like to have another hit record,” he admits. “It keeps you fresh and also keeps the high bar. However, it’s searching for a needle in a haystack to find that song. I was lucky in the early days with ‘Release Me’ when I had one, two, three songs on the charts at the same time. It's 58 years later and people are still singing along to my songs. While my forte is a balance and substance of good melodies and lyrics, I’m currently working on an album that’s a bit out of my comfort zone. It consists of songs from the 80’s from bands like Kiss. Journey, the Beatles, and Aerosmith.”

At 89, the handsome down-to-earth romantic singer, who never stops learning and growing, has the looks, attitude, demeanor, and energy of a man 25 years his junior. His beautiful renowned 3 1/2-octave voice is as golden as ever, not to mention that he has always possessed a rare magnetism that has his audiences rushing the stage towards the end of his performance, standing 10-20 deep, wanting to be up close and personal with him or to shake his hand as he finishes his show.

Add to that the fact that recent TV series and movies featuring his songs (“Moon Knight,” “Umbrella Academy,” and “Bullet Train”) and being back on the charts, getting millions of views from the streaming of his music, and having 500,000 subscribers on You Tube has brought to his concerts younger audiences whom he quips “come to see what an Engelbert Humperdinck is.” It all accounts for the fact that, in surviving decades of changing trends in music, the British icon has never steered himself wrong by staying true to himself and his brand.

Among his mega-list of honors and accolades, Engelbert now has an MBE (the Honor of Member of the Most Excellent Order of the British Empire by Her Majesty the Queen’s Birthday Honors List 2021) after his name. He relates that he chose to go in a romantic direction with his music early in his career.  

“I wanted to be a balladeer,” he muses. “I wanted to tell stories that mean something, stories that people could relate to and bring out feelings that involve them as well. A lot of my songs hit home. People have gotten married or engaged or fallen in love to my music. It’s nice to be someone who creates relationships without even knowing it and does somebody some good. It’s also nice to have music that people can relate to and can say, ‘That’s a Humperdinck song.’ Some have learned English by listening to my music.”

With it all, Engelbert doesn’t analyze his success. After starting off on his journey as Gerry Dorsey and experiencing his first little acclaim, he professed that he was going to be a millionaire by the time he was 30. He was determined to fulfill his prophecy, knowing that he would not make it the easy way, but rather the hard way. He actually lived in a damp, dingy cellar in London for some time while he was working on his craft but he always had the notion in his head that something was going to happen.

“A Jewish lady I stayed with when I was working clubs in the north of England said to me, ‘You’ve got mazel (luck) and you’re going to be known all over the world,’ Engelbert recalls. ”Then came ‘Release Me.’ My manager, Gordon Mills, and I had found that needle in a haystack.”

“Gordon found the melody and he played it for me,” he continues. “It was actually a saxophone instrumental by a musician named Frank Weir. I told Gordon that it sounded great – I fall in love with a song just hearing the melody. We found the lyrics – the song was written in 1949 and had been recorded five times, the last time by Etta James although Ray Price had had a hit with it. I had never heard his version but I listened to Etta James’ version. Hers was R&B so I changed it, recorded it, and gave the song a country feel. And that was it.”

When “Release Me” hit in January of 1967, it hit huge. After Engelbert performed it on a British TV show called “Sunday Night at the Palladium, it sold 86,000 records a day and eventually hit 127,000 sales a day, ending up in the Guinness Book of Records for its incredible 56 weeks on the charts. “Release Me” went to number one in 11 countries

Engelbert remembers that the global success of “Release Me ” felt like winning the lottery to him.

“All of a sudden, I found myself in a zone I couldn’t understand,” he says. “I didn’t know it would be as successful as it was. Who knows our destiny until it comes? I played ‘I Spy’ with Destiny until Destiny finally found me. There are many barriers to overcome but I believe we create our own destiny. You have to make that your mindset and not give up. You have to fight for it.”

Still, there is one aspect of his career that the artist laments.

“I feel that I didn’t have a fulfillment of life,” he explains. “In the early days, people didn’t take advantage of my talent and ambition. I received movie offers but they were thrown away because I was a moneymaker on the road. Gordon Mills wanted me there, not making movies.”

“I call myself a thespian of song,” Engelbert adds. “When you talk, you have to use your body language and eyes. Singing is talking in tempo. It’s how you portray your story and how you get emotionally involved in the whole thing. If you don’t demonstrate it, you don’t appreciate it. I’ve always said that the honesty of a performance comes through the performer’s eyes.”

Born Arnold George Dorsey, he humbly emotes that he has always just been Arnold George Dorsey and that Engelbert Humperdinck is his stage handle and the name the world knows him by. When he’s at home, he does two crossword puzzles each morning; he listens to music every day; watches TV series and movies and learns from the dialogue; exercises 45 minutes to an hour daily; enjoys going out to eat; keeps in touch with friends and family (he calls England every day); and writes poetry every day. He wants to put his poetry to music and plans to record it in all original songs in Nashville. He also wants to write another autobiography since there was so much left out in the first one because he didn’t want to hurt people.

“I love challenges,” he sums up, noting that he has always been a go-getter and a bit of a dreamer. “Everything I attempt is a challenge. Nothing comes easy.”

If it sounds like Engelbert is just getting started, he is. After all, the last line of the song “The Last Waltz” is “The last waltz will last forever.”

 

RELEASED CONCERT DATES

Orleans Showroom Las Vegas, NV, August 29, 2025 8:00 pm

Orleans Showroom Las Vegas, NV August 30, 2025 8:00 pm

Theatre Royal Drury Lane London, United Kingdom September 07, 2025 7:30 pm

Bournemouth Pavilion Theatre Bournemouth, United Kingdom September 08, 2025 7:30 pm

Liverpool Philharmonic Hall Liverpool, United Kingdom September 10, 2025 7:30 pm

Birmingham Symphony Hall Birmingham, United Kingdom September 11, 2025 7:00 pm

DR Koncerthuset Copenhagen, DENMARK September 13, 2025 8:00 pm

Stadsschouwburg Antwerpen Antwerp, BELGIUM September 15, 2025 8:00 pm

Nieuwe Luxor Theater Rotterdam, NETHERLANDS September 17, 2025 8:00 pm

De Oosterpoort Groningen Groningen, NETHERLANDS September 19, 2025 8:30 pm

Musis Arnhem, NETHERLANDS September 21, 2025 8:00 pm

Luhrs Center Shippensburg, PA September 24, 2025 7:30 pm

Lynn Auditorium Lynn, MA September 26, 2025 8:00 pm

Bally's Event Center Lincoln, RI September 27, 2025 7:00 pm

The Coach House San Juan Capistrano, October 24, 2025 8:00 pm

Mega Star Arena Kuala Lumpur, MALAYSIA November 02, 2025 4:00 pm

The Star Theatre SINGAPORE November 03, 2025 8:00 pm

Newport Performing Arts Theatre Manila, PHILIPPINES November 05, 2025 8:00 pm

Waterfront Cebu City Hotel and Casino Grand Ballroom Cebu City, PHILIPPINES November 07, 2025 8:00 pm

Broadway Theatre MACAU November 09, 2025 5:00 pm

The Lerner Theatre Elkhart, IN December 04, 2025 7:30 pm

Santander Performing Arts Center Reading, PA December 07, 2025 6:00 pm

State Theatre New Jersey New Brunswick, NJ December 09, 2025 7:00 pm

Flagstar at Westbury Music Fair Westbury, NY December 12, 2025 8:00 pm

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